Swan Lake enchants at the Auditorium Theater

By Elizabeth Czapski | staff writer

The Joffrey Ballet’s opening performance of Swan Lake at the Auditorium Theater in October offered Christopher Wheeldon’s elegant and thought-provoking reimagining Peter Tchaikovsky’s classic ballet.

Wheeldon’s Swan Lake first premiered with the Joffrey in Chicago in 2014 and became one of the Joffrey’s best-selling productions, according to a press release from the ballet company. Now the production has returned to Chicago.

According to the press release, Wheeldon’s vision was influenced by the paintings of Edgar Degas, who was a contemporary of Tchaikovsky and painted ballerinas at the Paris Opera. The program explains Degas also painted ballet patrons, who were assumed to be interested in ballerinas beyond their careers.

Wheeldon’s Swan Lake is set in 19th-century Paris and presents a ballet-within-a-ballet; the Paris Opera is putting on a production of Swan Lake, and a wealthy patron enters the picture, chatting with some of the ballerinas. The principal dancer, who plays Siegfried in the opera’s production, becomes suspicious of the patron’s intentions. Eventually, the principal dancer is consumed by the dances he is rehearsing—fantasy and reality blend together—and he becomes Siegfried, and the story of Swan Lake begins.

The suspicious patron in Wheeldon’s Swan Lake becomes the evil sorcerer Von Rothbart in the principal dancer’s fantasy, creating another remarkable connection to Degas’ artistic themes.

The dancers deliver the story with passion, grace, precision and stunning athleticism, transitioning flawlessly from scene to scene, emotion to emotion. Sorrow turns to love, turns to playfulness with incredible expression. A can-can and strip tease from cabaret dancers provides a light-hearted moment in Act III. The Chicago Philharmonic, conducted by Scott Speck, pulls the audience into the story through the score.

The costumes and set design are nothing short of magical and recall Degas’ paintings.

The Joffrey’s Swan Lake is an outstanding ballet that is not to be missed. The show runs Oct. 17-28 at the Auditorium Theater of Roosevelt University at 50 E. Congress Parkway. More information at joffrey.org.

Joffrey Ballet dances its way to new attendance records, ticket revenue

By Julie Whitehair | Community Contributor

Published July 4, 2018 

The Joffrey Ballet’s 2017-18 season was its highest-grossing season in the Chicago-based dance company’s 62 years, with attendance for the season also reaching a record high, according to a press release.

More than 100,000 people were in attendance for the 2017-18 season. The Joffrey—which is based at 10 E. Randolph St. but also tours—earned more than $7.7 million in ticket revenue, showing an 11 percent increase compared to the year prior.

“I am incredibly proud of the Joffrey dancers and staff for producing art of the highest quality,” Artistic Director Ashley Wheater wrote in the press release. “One of our goals is to engage people through diverse programming, whether it be a classic like ‘Giselle’ or a wild adventure like ‘Midsummer Night’s Dream.’ There is much more to come in the seasons ahead.”

The company attributes its feats largely to the successes of Lola de Ávila’s “Giselle” and Alexander Ekman’s “Midsummer Night’s Dream.” The productions grossed more than $2.3 million combined and earned spots in the Joffrey’s top five best-selling productions, excluding “The Nutcracker.”

Executive Director Greg Cameron said in the press release that the Joffrey is remaining loyal to its founder, Robert Joffrey, by honoring both the classics and the new.

“The numbers tell a story of success, though I assure you that our work is far from finished,” Cameron said. “Focused planning will keep the Joffrey at the forefront of the local, national and international world of dance.”

Earlier this year, the Alphawood Foundation awarded the Joffrey a one million dollar grant to fund a three-year project focused on expanding and sustaining its audience as the company grows.

Completing the 2017-18 season was Christopher Wheeldon’s production of the winter favorite “The Nutcracker”—which exceeded $4.6 million in ticket sales—and “Modern Masters,” the Joffrey’s program of various modern works.